Please, click on the picture to see the series
In Alexandre Dupeyron’s photographs forms, shapes and people merge to become pure matter.
“I blur my images,” he says, “to create artifacts that show a different reality; that everything in the frame remains equally impermanent.”
Blurs become traces that become smudges that corrupt the reality of the photograph. As such they also become a metaphor for memory, and its decay, revealing the temporary relationship we have as observers to other people and objects.



















